First Published Second Impression The collection of old metal may at first sight appear a somewhat unattractive hobby; a moment’s reflection, however, brings to mind the wonderful art treasures of metal in our museums, gathered together from many parts of the world; not necessarily of the precious metals, for many of the most cunningly contrived objects of antiquarian research are of copper in one or more of its numerous forms of alloy. Copper is the basis of so many alloys of which metallic curios are formed, that in its combination with other metals it gives the collector an almost inexhaustible field of research. It was the metal of the ancients, which in combination with tin gave them that useful metal with which to fashion weapons of offence and defence, and later, as the Bronze Age advanced, utilitarian objects of household economy. Collectors find the Age of Metals unfolding as they arrange their collections with orderly sequence, and thereby trace the progress of artificers throughout the periods which have intervened since the first bronze celt was moulded to the present day. In this work the curios and artistic objects of use and ornament which have come down to us, contributed by craftsmen of many ages and of many countries, are passed in review. The object of so doing has been to awaken still greater interest—if that is possible—in the collection of copper and brass, and to preserve to futurity metal objects from which the utilitarian purpose of their manufacture is fast waning—if not already gone. Although the rarest and most costly objects are to be found in museums and the galleries of the wealthy, there are many still in the homes of the people, and there are many who seek and obtain pleasure and delight from the collection of the curious and the beautiful who cannot afford the unique specimens which are so costly. To such this book should appeal, for the descriptions and the illustrations have been drawn from many sources, and their selection has by no means been confined to the rarer types. The illustrations are reproductions of photographs which have been willingly furnished by owners of collections and museum authorities.
Indian Brass Bowl
To return an item, the item must be new, unused and in its original packaging. You may return the item to a Michaels store or by mail.
The numerous commemorative brass heads, free-standing figures and City in they were surprised to find large quantities of cast brass objects. Dating from the 16th and 17th centuries, these plaques were secreted in a storage room.
Brass is a yellow alloy mainly of copper and zinc but it can include other metals. The inexpensive, yet strong metal makes it ubiquitous across many cultures and objects for thousands of years. In modern times, brass was particularly favored during the Art Deco Movement of the s and the Modernist Movement of the s and 70s, the complete opposite of the darkly patinated copper and bronze used during the Arts and Crafts and Art Nouveau Movements.
It was also a favored metal to use for accenting firearms and swords. Among the most heavily collected items today include chandeliers, figurines and statues, nautical items, clocks and pocket watches, and even microscopes. All of these items can be readily found at your local thrift store and flea markets.
In fact, there are sellers on Etsy. The market for brass has been remarkably steady, but is showing signs of an upswing. Younger buyers who are attracted to simple forms and uses, particularly bookends, affordable jewelry, designer candlesticks and even furniture, favor the color. Solid examples of bookends are commanding higher prices these days, particularly figural examples of animals and people.
High-quality castings are back in style. Low-quality castings are also holding their values even if those values are not particularly high to begin with.
Chemical clocks for archaeological artefacts
Metalwork is perhaps the most continuous and best-documented artistic medium from Iran in the Islamic period. At times, echoing the forms of more ephemeral or less costly materials such as ceramics, metalwork from Iran and adjacent lands served a wide variety of utilitarian functions. These were nonetheless luxury wares that absorbed the creative energy of some of the best artists and reflected the main artistic trends and the tastes of successive dynasties.
Written sources are an important means of documenting this medium.
It survives mainly in brass (see BERENJ) and bronze. but the issue of their provenance and dating remains uncertain (Harper, pp. Bronze and brass objects, some of them copying shapes in precious metal, were inlaid.
The use of bronze dates from remote antiquity. This important metal is an alloy composed of copper and tin , in proportion which vary slightly, but may be normally considered as nine parts of copper to one of tin. Other ingredients which are occasionally found are more or less accidental. The result is a metal of a rich golden brown colour, capable of being worked by casting — a process little applicable to its component parts, but peculiarly successful with bronze, the density and hardness of the metal allowing it to take any impression of a mould, however delicate.
It is thus possible to create ornamental work of various kinds. The process of casting is known as cire perdue , and is the most primitive and most commonly employed through the centuries, having been described by the monk Theophilus , and also by Benvenuto Cellini. Briefly, it is as follows: a core, roughly representing the size and form of the object to be produced, is made of pounded brick, plaster or other similar substance and thoroughly dried.
Upon this the artist overlays his wax , which he models to the degree required in his finished work. Passing from the core through the wax and projecting beyond are metal rods. The modelling being completed, called lost-wax casting , the outer covering which will form the mould has to be applied; this is a liquid formed of clay and plaster sufficiently thin to find its way into every detail of the wax model. Further coatings of liquid are applied, so that there is, when dry, a solid outer coating and a solid inner core held together by the metal rods, with the work of art modelled in wax between.
Heat is applied and the wax melts and runs out, and the molten metal is poured in and occupies every detail which the wax had filled. When cool, the outer casing is carefully broken away, the core raked out as far as possible, the projecting rods are removed and the object modelled in wax appears in bronze. If further finish is required, it is obtained by tooling.
How to Identify Antique Brass
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Their group brought gifts with them from British schoolchildren, including books and supplies. The local schools had been alerted in advance, and a crowd came down to the river banks to meet them; there was even a dance performance. It was a wonderful — if slightly overwhelming — welcome, Mr. Dunstone recalled. In the back of the crowd, Mr. Awoyemi, who was born in Britain and grew up in Nigeria, noticed two men holding what looked like political placards. But just as the boat was about to push off, one of the men suddenly clambered down toward it.
Dunstone recalled recently. The man reached out his arm across the water and handed Mr. Dunstone a note, then hurried off with barely a word. That night, Mr. Dunstone pulled the note from his pocket. But that note was the beginning of a year mission that would take Mr.
This Art Was Looted 123 Years Ago. Will It Ever Be Returned?
Title: Object: The Ife Head. Description: Brass (heavily leaded zinc-brass) head cast using the lost wax (cire Production date: 14thCthC(early) (probably).
Our Brass lights, furniture, and accessories vary from mirror-polished to un-lacquered surfaces, hand-beaten to be intentionally imperfect. Each variation is a testament to the flexibility and versatility of the metal. Here’s a selection of our extraordinary object carefully placed and photographed by you. LEFT: An artsy corner. Capture and share your Extraordinary spaces adorned with Tom Dixon objects on Instagram, and tag us tomdixonstudio or use TomDixon.
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How to Identify Old Brass
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The use of bronze dates from remote antiquity. This important metal is an alloy composed of A dagger of somewhat later date, now in the Metropolitan Museum of New York is the earliest piece of decorated bronze from Crete. During the 18th century brass was largely used in the production of objects for domestic use;.
If you’re wondering whether your find is really brass, it helps to learn a bit about what antique brass looks like. That way, you can determine the metal content and sometimes even the age of your treasure. Sometimes, antique items are made of solid brass, but it’s also common to find pieces that are plated or wrapped in a thinner layer of brass.
You can tell the difference with the help of a magnet. If you hold a magnet against the item and feel a pull, you know the piece is brass plated. If there’s no attraction, then the piece is solid brass. That’s because the underlying metal is usually iron or steel, both of which are magnetic.